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Retrieved from ” https: Cinque nella versione iniziale di queste ruote, di diametro diverso, erano coassiali con altrettanti cilindri grossi e piccoli, interamente coperti di targhette su ciascuna delle quali era scritto un wilcick.
The Temple of Iconoclasts – Juan Rodolfo Wilcock
Curt Anderson rated it liked it Dec 29, Return to Book Page. Please note that these ratings solely represent the complete review ‘s biased interpretation and subjective opinion of the actual reviews and do not claim to accurately reflect or represent the views of the reviewers. This book is cool, with a cool concept, witty, strange, satirical. Essenzialmente, l’apparecchio consisteva di un insieme abbastanza semplice di ruote dentate caricate a molla e regolate nel loro movimento da uno speciale congegno a scatto che periodicamente fermava l’ingranaggio.
To ask other readers questions about La sinagoga de los iconoclastasplease sign up. Jorge Murillo rated it it was ok Apr 15, After a short return to Buenos Aires in he once again set sail for Italy where he would settle for good three years later. Some of the people and theories the magically surreal realistic author touches up which I found interesting were about a dictionary with gripping descriptions, a construction of a machine which came up with randomly generated philosophical phrases, an underwater transport network, crazy chap Interesting and in some places hilarious book.
Preview — La sinagoga de los iconoclastas by Juan Rodolfo Wilcock. It keeps the reader outside of the book, putting the reader in a clinical role which, though intentional, creates a passionless distance. Folle e colorato, variopinto e caleidoscopico, divertissement di un autore coltissimo, arguto, intrigante. As is always the case with books in Originally written in Italian by an Argentinian writer, this is a book of fake capsule biographies of people who had highly unusual, idiosyncratic, and often just plain stupid ideas.
Daniel rated it liked it Nov 07, Yves de Lalande, primer productor de novelas a escala realmente industrial.
La sinagoga de los iconoclastas
Molinaski rated it it was ok Aug 14, Want to Read Currently Reading Read. Rodolfo Wilcock Universale, invece ha pensato, senza badare a spese, Madre Natura.
Throughout the book I kept thinking, “Well, this little biography is dull, but there’s only a few more pages. Be the first to ask a question about The Temple of Iconoclasts. Want to Read saving…. This book is not yet featured on Listopia. Wilcock’s promising imaginative genius shines through in a a few of the stories. Be the first to ask a question about La sinagoga de los iconoclastas.
Juan Rodolfo Wilcock was an Argentinian-Italian author, poet, critic and translator. This book is cool, with a cool concept, witty, strange, satirical. The characters are utopians, visionaries, possessed of supernatural powers like shaping salt at willand many are, above all, scientists — with theories and inventions that sometimes find adherents but ultimately are not taken too seriously. El humor, de tan negro, ya no se dejaba ver. Some of the people and theories the magically surreal realistic author touches up which I found interesting were about a dictionary with gripping descriptions, a construction of a machine which came up with randomly generated philosophical phrases, an underwater transport network, crazy chapter on madness, chapter on beauty, zonal body therapy, creating your own time system, cryogenics, insects created from electricity, dog powered water pump, hollow earth theory, a chapter devoted at the end to crazy inventions.
For instance, one person gets it into his head to construct a chain of health spas on the slopes of active volcanoes; you can guess what happens to them, I’m sure. The dictionary that reads like a detective novel was sick though.
Orne rated it liked it Jul 28, Tonally, psychically, often reminded me of Barthelme and Perec plenty of playfulness. I’d be down to read just that.
Jan 28, Lee rated it really liked it. Queste targhette passavano a turno davanti a uno schermo di legno provvisto di finestrini rettangolari in modo che a ogni scatto, guardando dall’altra parte dello schermo, si poteva leggere una frase, sempre casuale ma non sempre priva di senso.
Clarisima la influencia que este libro tuvo en “La Literatura Nazi en America”, de Bolano quien cita -y recomienda con fervor- a Wilcock en “Entre Parentesis”, conjunto de articulos de Bolano escritos a lo largo de un par de lustros.
In Wilcock undertook the self-publication of two collections of poetry: